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Tony Award Winners List 2014

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Guest EXPAT

Tony Awards Winners List 2014

BEST MUSICAL

“After Midnight”

“Aladdin”

“Beautiful: The Carole King Musical”

“A Gentleman’s Guide to Love and Murder” (WINNER)

BEST REVIVAL OF A MUSICAL

“Hedwig and the Angry Inch” (WINNER)

“Les Miserables”

“Violet”

BEST REVIVAL OF A PLAY

“A Raisin in the Sun” (WINNER)

“The Cripple of Inishmaan”

“The Glass Menagerie”

“Twelfth Night”

BEST PLAY

“All the Way” (WINNER)

“Act One”

“Casa Valentina”

“Mothers and Sons”

“Outside Mullingar”

BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A MUSICAL

Mary Bridget Davies, “A Night With Janis Joplin”

Sutton Foster, “Violet”

Idina Menzel, “If/Then”

Jessie Mueller, “Beautiful: The Carole King Musical” (WINNER)

Kelli O’Hara, “The Bridges of Madison County”

BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A MUSICAL

Neil Patrick Harris, “Hedwig and the Angry Inch” (WINNER)

Ramin Karimloo, “Les Miserables”

Andy Karl, “Rocky”

Jefferson Mays, “A Gentleman’s Guide to Love and Murder”

Bryce Pinkham, “A Gentleman’s Guide to Love and Murder”

BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A PLAY

Bryan Cranston, “All the Way” (WINNER)

Samuel Barnett, “Twelfth Night”

Chris O’Dowd, “Of Mice and Men”

Mark Rylance, “Richard III”

Tony Shalhoub, “Act One”

BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A PLAY

Audra McDonald, “Lady Day at Emerson’s Bar & Grill” (WINNER)

Tyne Daly, “Mothers and Sons”

LaTanya Richardson-Jackson, “A Raisin in the Sun”

Cherry Jones, “The Glass Menagerie”

Estelle Parsons, “The Velocity of Autumn”

BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A PLAY

Mark Rylance, “Twelfth Night” (WINNER)

Reed Birney, “Casa Valentina”

Paul Chahidi, “Twelfth Night”

Stephen Fry, “Twelfth Night”

Brian J. Smith, “The Glass Menagerie”

BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A PLAY

Sophie Okonedo, “A Raisin in the Sun” (WINNER)

Sarah Greene, “The Cripple of Inishmaan”

Celia Keenan-Bolger, “The Glass Menagerie”

Anika Noni Rose, “A Raisin in the Sun”

Mare Winningham, “Casa Valentina”

BEST PERFORMANCE BY AN ACTOR IN A FEATURED ROLE IN A MUSICAL

James Monroe Iglehart, “Aladdin” (WINNER)

Danny Burstein, “Cabaret”

Nick Cordero, “Bullets Over Broadway”

Joshua Henry, “Violet”

Jarrod Spector, “Beautiful – The Carole King Musical”

BEST PERFORMANCE BY AN ACTRESS IN A FEATURED ROLE IN A MUSICAL

Lena Hall, “Hedwig and the Angry Inch” (WINNER)

Linda Emond, “Cabaret”

Anika Larsen, “Beautiful – The Carole King Musical”

Adriane Lenox, “After Midnight”

Lauren Worsham, “A Gentleman’s Guide to Love & Murder”

BEST DIRECTION OF A PLAY

Kenny Leon, “A Raisin in the Sun” (WINNER)

Tim Carroll, “Twelfth Night”

Michael Grandage, “The Cripple of Inishmaan”

John Tiffany, “The Glass Menagerie”

BEST DIRECTION OF A MUSICAL

Darko Tresnjak, “A Gentleman’s Guide to Love & Murder” (WINNER)

Warren Carlyle, “After Midnight”

Michael Mayer, “Hedwig and the Angry Inch”

Leigh Silverman, “Violet”

BEST BOOK OF A MUSICAL

Robert L. Freedman, “A Gentleman’s Guide to Love & Murder” (WINNER)

Chad Beguelin, “Aladdin”

Douglas McGrath, “Beautiful – The Carole King Musical”

Woody Allen, “Bullets Over Broadway”

BEST ORIGINAL SCORE (MUSIC AND/OR LYRICS) WRITTEN FOR THE THEATRE

“The Bridges of Madison County” Music & Lyrics: Jason Robert Brown (WINNER)

“Aladdin” Music: Alan Menken, Lyrics: Howard Ashman, Tim Rice and Chad Beguelin

“A Gentleman’s Guide to Love & Murder” Music: Steven Lutvak, Lyrics: Robert L. Freedman & Steven Lutvak

“If/Then” Music: Tom Kitt, Lyrics: Brian Yorkey

BEST SCENIC DESIGN OF A PLAY

Beowulf Boritt, “Act One” (WINNER)

Bob Crowley, “The Glass Menagerie”

Es Devlin, “Machinal”

Christopher Oram, “The Cripple of Inishmaan”

BEST SCENIC DESIGN OF A MUSICAL

Christopher Barreca, “Rocky” (WINNER)

Julian Crouch, “Hedwig and the Angry Inch”

Alexander Dodge, “A Gentleman’s Guide to Love & Murder”

Santo Loquasto, “Bullets Over Broadway”

BEST ORCHESTRATIONS

Jason Robert Brown, “The Bridges of Madison County” (WINNER)

Doug Besterman, “Bullets Over Broadway”

Steve Sidwell, “Beautiful – The Carole King Musical”

Jonathan Tunick, “A Gentleman’s Guide to Love & Murder”

BEST SOUND DESIGN OF A PLAY

Steve Canyon Kennedy, “Lady Day at Emerson’s Bar & Grill” (WINNER)

Alex Baranowski, “The Cripple of Inishmaan”

Dan Moses Schreier, “Act One”

Matt Tierney, “Machinal”

BEST SOUND DESIGN OF A MUSICAL

Brian Ronan, “Beautiful – The Carole King Musical” (WINNER)

Peter Hylenski, “After Midnight”

Tim O’Heir, “Hedwig and the Angry Inch”

Mick Potter, “Les Miserables”

BEST CHOREOGRAPHY

Warren Carlyle, “After Midnight” (WINNER)

Steven Hoggett & Kelly Devine, “Rocky”

Casey Nicholaw, “Aladdin”

Susan Stroman, “Bullets Over Broadway”

BEST COSTUME DESIGN OF A PLAY

Jenny Tiramani, “Twelfth Night” (WINNER)

Jane Greenwood, “Act One”

Michael Krass, “Machinal”

Rita Ryack, “Casa Valentina”

BEST COSTUME DESIGN OF A MUSICAL

Linda Cho, “A Gentleman’s Guide to Love & Murder” (WINNER)

William Ivey Long, “Bullets Over Broadway”

Arianne Phillips, “Hedwig and the Angry Inch”

Isabel Toledo, “After Midnight”

BEST LIGHTING DESIGN OF A PLAY

Natasha Katz, “The Glass Menagerie” (WINNER)

Paule Constable, “The Cripple of Inishmaan”

Jane Cox, “Machinal”

Japhy Weideman, “Of Mice and Men”

BEST LIGHTING DESIGN OF A MUSICAL

Kevin Adams, “Hedwig and the Angry Inch” (WINNER)

Christopher Akerlind, “Rocky”

Howell Binkley, “After Midnight”

Donald Holder, “The Bridges of Madison County”

SPECIAL TONY AWARD FOR LIFETIME ACHIEVEMENT IN THE THEATRE

Jane Greenwood

REGIONAL THEATRE AWARD

Signature Theatre, New York, N.Y.

ISABELLE STEVENSON AWARD

Rosie O’Donnell

TONY HONORS FOR EXCELLENCE IN THE THEATRE

Joseph P. Benincasa

Joan Marcus

Charlotte Wilcox

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Guest zipperzone

How do you rate Jackman's performance as the MC? Personally I think NPH did a better job in the last 3 years.

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Guest EXPAT

Hugh Jackman was given very poor material. That opening was terrible and it didn't get much better as the night went on. I'm sure many tuned out with that beginning hopping episode. I"m not sure what they were thinking.

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Guest zipperzone

I was wondering why it was omitted this year. I think it CBS should be ashamed of themselves for thinking commercials were more important than the Memoriam. There was plenty of other crap they could have omitted instead - like half (or all) of the stupid jumping opening.

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