Tale of Ansel Adams Negatives Grows Hazy

[TotallyOz]

I love Ansel Adams. When I was pursuing a career in photography, he was one of my most admired photographers. The collection in DC is fantastic. I have been following the story below. It is a wild ride.

SAN FRANCISCO — It was a dream come true, straight out of “Antiques Roadshow.” In 2000 Rick Norsigian, a painter in a school maintenance department, bought a box of photo negatives at a garage sale in Fresno, Calif., for $45. Last month, a decade later, he stood in a Beverly Hills art gallery to announce that a team of experts had concluded “beyond a reasonable doubt” that Ansel Adams had taken the pictures.

Rick Norsigian with one of the 65 glass negatives he bought in a California garage sale. Prints from them are being sold as the work of Ansel Adams.

The gallery’s owner, David W. Streets, appraised the value of the 65 images, which the experts called “the lost negatives,” at $200 million, and the incident made news around the world.

But a fairy-tale ending is eluding Mr. Norsigian. A day after the announcement, Matthew Adams, a grandson of the photographer, disputed the finding, questioned the credentials of the experts and went so far as to call the whole business a “scam.”

A few days after that, an Oakland woman, Marian Walton, announced that she had a photo that was identical to one of the negatives. It had been taken, she said, not by Adams, the famous outdoors photographer, but by an uncle of hers, Earl Brooks.

And now, in the latest complication, court records reveal that Mr. Streets, who set the value for the negatives and is handling the related sales, is a convicted felon with a criminal record for petty theft and fraud in Louisiana and Kentucky. Though he says on his Web site, davidstreetsbeverlyhills.com, that he has 25 years of fine-art appraisal experience, two of Mr. Streets’s former employers say his true talent is in the embellishment of his credentials.

Doris Allen, who owns the Bryant Galleries in New Orleans, says that though Mr. Streets, 45, can be “very charming,” he had said he had no appraisal experience when she hired him at her business in 2000. Now she is amazed to see him occupy an influential role in a national art debate. “How can he get up there and claim that those negatives are worth $200 million?” she said. “That is absurd.”

The discussion of just who took the pictures is far from over, and Mr. Norsigian’s lawyer, Arnold Peter, said Mr. Streets’s past has little bearing on that question. But in a subjective field where credibility and expertise matter, it cannot help Mr. Norsigian that Mr. Streets’s résumé appears to be tarnished.

For his part, Mr. Streets initially denied in an interview that he was the same David W. Streets who was convicted of passing bad checks, fraud and petty theft over a seven-year period that ended in 1998 when he was in his early 30s. But he later sent an e-mail in which he cited his extensive civic involvement in recent years, described the incidents as old, and attributed them to “untreated manic-depression” that he began to experience after his mother “committed suicide when I was 15, and my father died the following year.”

“I took complete responsibility and learned from that experience,” he said.

The art debate has its roots in Mr. Norsigian’s purchase of the box of negatives, a rummage-sale find that took on a new light when he later noticed in an Adams biography that certain features of the plate-glass negatives he bought, which depict California landscape scenes from Carmel, Yosemite and around San Francisco, seemed to match events in in Adams’s life. In particular, the plates showed evidence of fire damage, and in 1937 Adams lost negatives to a darkroom fire.

“The size, the fire damage, the locations and different stuff like that,” Mr. Norsigian said. “I kept researching little pieces at a time.”

He took his discovery to members of the Adams family, who disputed his claims. Adams had been notoriously protective of his negatives, locking them in a bank vault when he lived in San Francisco. Would he misplace a box of negatives?

“Ansel would never have done something like that,” said William Turnage, managing trustee of the Ansel Adams Publishing Rights Trust, which owns the rights to Adams’s name and work.

But in 2007 Mr. Norsigian and Mr. Peter, his lawyer, set about organizing an authentication team that included a former F.B.I. agent, a former United States attorney, two handwriting experts, a meteorologist (to track cloud patterns in the images), a landscape photographer and a former curator of European decorative arts and sculpture for the Museum of Fine Arts, Boston.

They concluded, without question, that the prints were of the sort made by Adams as a young photographer in the 1920s.

Mr. Peter said he decided to market the materials through Mr. Streets, whom he did not know but whose work as a dealer he was aware of. Mr. Streets, who moved to California from New Orleans in 2005, bills himself as “Los Angeles’s leading appraiser of all genres of fine art and celebrity memorabilia.”

Among clients listed on his Web site are three former presidents, including Bill Clinton, and numerous celebrities. It features photos of him with Hollywood stars and with Maria Shriver, the wife of Gov. Arnold Schwarzenegger of California. A spokesman for Mr. Clinton said he did not recognize the dealer’s name.

For the Entire Article:

http://www.nytimes.com/2010/08/14/arts/design/14photos.html?_r=1&partner=rss&emc=rss

Also, some of Adams works:

[MsGuy]

You can use this link to judge the Uncle Earl print/Adams(?) plate question for yourself. Ain't the internet great!

[flguy]

Is this the same David Streets who has been discussed on MuscleService for ripping off escorts????

http://muscleforums.yuku.com/topic/19933?page=1

[Guest restless]

"And now, in the latest complication, court records reveal that Mr. Streets, who set the value for the negatives and is handling the related sales, is a convicted felon with a criminal record for petty theft and fraud in Louisiana and Kentucky."

OUCH.

I hadn't been following this, thanks for posting it. I've always been in the closet, so to speak, about Adams, because I was young and impressionable when I discovered his work and the effete snobs I surrounded myself with at the time dissed me for my poor taste.

[TotallyOz]

The Santa Fe Photography Workshops are fantastic. At one point, they allowed for private negative work with the curator of Ansel Adams' negatives. The workshop was private and pretty expensive. I always went a few years back but missed the opportunity.

http://www.santafeworkshops.com/index.php