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AdamSmith

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Everything posted by AdamSmith

  1. The number of things I must leave unsaid is what the mathematicians call non-denumerably infinite.
  2. Not for long, anyway!
  3. For sure we know all the folks we love hanging out with the most are going to end up in Hell!
  4. I see Gotti's point: that "icon" is not the same as "role model" or "hero to the community." Rather "icon" here partakes of at least something of its original religious-symbol sense -- or at least the modern "public imago" version of it. Both have their valid functions in the public imagination, seems to me.
  5. I meant to say: James Elroy Flecker!? (Interrobang, were we permitted such here.) In fulfillment of one of your more dire PhD requirements, I hope. I confess never to have heard of him until your post. But then I did not even know Cranford until it was on TV. After StuCotts (sore missed here) made some remark on Gaskell, that sent me to tear through the book, loving it. Sort of like a Middlemarch except built by a lame, one-armed carpenter, with no architect in attendance. About all I can claim comparable to your Flecker is to have plowed through most of Eliza Cook and Felicia Hemans. I forget why, unless it was first finding them in The Stuffed Owl. I did forego Martin Farquhar Tupper. Speaking of, I do think I have one parody anthology yet in me: Waiting around in Penn Station for Amtrak, one frequently hears, on the PA announcing the local-line stops, "Elizabeth Linden Rahway," which it strikes me must have been the name of a 19th-century poetess laureate of New Jersey.
  6. Especially other people's babies.
  7. M’Introduire Dans Ton Histoire M’introduire dans ton histoire C’est en héros effarouché S’il a du talon nu touché Quelque gazon de territoire À des glaciers attentatoire Je ne sais le naïf péché Que tu n’auras pas empêché De rire très haut sa victoire Dis si je ne suis pas joyeux Tonnerre et rubis aux moyeux De voir en l’air que ce feu troue Avec des royaumes épars Comme mourir pourpre la roue Du seul vespéral de mes chars. -- Mallarmé ...If you have to ask, you probably don't want to know.
  8. LOL Maybe there is a chance for us after all. I go to bed by 9 o'clock these days.
  9. AdamSmith

    BO pays 18%

    Well, but you are really describing Buddhism, not Christianity. Which is fine, probably better, in fact.
  10. Apart from not being a jerk, why can't all these rich celebs HIRE A DRIVER? I would have one on 24-hour call. A good-looking and pliant one, preferably.
  11. It would never work then. I love to flip!
  12. Well, if we're going to include men...
  13. One who, if not, ought to be: the inimitable Édith Piaf. "La Vie en rose" ... what more to say? Here a late film of her doing her marvelous "Padam Padam"... The 2007 biographical film La Vie en rose is well worth looking up.
  14. AdamSmith

    BO pays 18%

    Then you reject a fundamental teaching of both the Old and New Testaments. Both the Prophets and Jesus himself say very directly, over and over again, that people can act either because of the influence of God on their minds and hearts, or the influence of Satan. Our free will to choose one or the other, and the ever-present possibility that we will choose Satan instead of God, is the core teaching of Genesis, and most all that follows.
  15. Seems I recall hints somewhere in the historical record that Leonardo's tastes ran to early-teenage putti. Doubt that would raise the viewership (as it were) among enough of the demographic to be worth risking accurate portrayal. I would watch!
  16. Agree I didn't get Moulin Rouge. My ex made me sit through it and got aggravated when I dozed off that same 20 minutes into it. This Gatsby looks like it has possibilities.
  17. So the Ides of April. As with Rome's Ides of March, doth this portend our transition from the U.S. Republic to the U.S. Empire? Or worse -- ref. recent threads on Constitution, Shredding of?
  18. Looks interesting, all things given. One might almost wish to see this made into a musical comedy -- "Springtime for..." j/k Lady Thatcher's authorised biography sparks excitement and scepticismAuthor Charles Moore had access to thousands of private papers, but some question whether he is too ardent a fan Mark Brown, arts correspondent The Guardian, Friday 19 April 2013 16.22 EDT The former Telegraph editor Charles Moore, whose Thatcher biography Not For Turning – the first of two volumes – is out on Tuesday. Photograph: Ian West/PA The opening extracts of the long-awaited definitive authorised biography of Margaret Thatcher focus on previously unknown youthful suitors, and details of her childhood. The two-volume biography by Charles Moore, former editor of the Daily Telegraph, is being serialised in that newspaper and – judging by the initial selections – will contain personal as well as political revelations. It also contains accounts of Thatcher's sister and how at school she almost killed some classmates in a scientific experiment that went wrong. The biography was conceived 16 years ago with some crucial conditions: it was to be published after the former prime minister's death, she would never read it and, importantly, the people who contributed their thoughts and memories knew that. She would never know what they said. Moore had full access to thousands of pages of Thatcher's private and government papers, early access to documents held back under the 30-year rule and extensive interviews with the woman herself. Not For Turning, the first of two volumes, will be published on Tuesday. "There's a lot of excitement," said Jon Howells of Waterstones. "People are expecting it to be pretty definitive." The 800-page book takes readers through her early years and into her first term as prime minister, ending at the October 1982 Downing Street dinner celebrating victory in the Falklands. The way the book was produced is unprecedented. Thatcher approached Moore in 1997 offering access to herself and her papers, and ruled that it should not be published in her lifetime. In 1998, it was bought for Penguin – for a reported £750,000 – by its then managing director, Andrew Rosenheim, and from then it has incubated, the first volume written and ready to be published once she died. Stuart Proffitt, a publishing director at the Penguin imprint Allen Lane, said he and his team have not worked on anything else in the last eight days. It went to the printers on Wednesday night, hours after her funeral, and will be available to buy on Tuesday – St George's Day. But will there be many revelations? Most certainly, said Proffitt. "I edited the two volumes of her autobiography and worked closely with her on those in the early 1990s," he said. "There is a huge amount that is new – the book now makes all other portraits of her look rather two-dimensional. "Quite apart from the material that is new, it is an exceptional book: simply as a piece of biographical art, I think it is in the very front rank of political biographies of the past 50 years – a very impressive piece of work." One big question, which cannot be answered until it has been read, is whether Moore, an ardent Thatcher supporter, was ever the right man to write objectively. Can someone so steeped in Tory politics be sufficiently detached? Certainly Moore, known in Private Eye as Lord Snooty, is as archetypal as they come. In his Who's Who entry he lists hunting as his sole recreation and once entertainingly wrote about the things he has never done: "I have never eaten a product of McDonald's, drunk Coca-Cola, seen The Sound of Music, watched EastEnders or Coronation Street, worn a T-shirt (as an adult), or been to Disneyanything. I have never bought myself any equipment for playing music, or any musical record, CD or tape, never set a video, or attended a professional football, rugby or cricket match, never had a gin and tonic, sewn on a button, lain on a sunbed, carved a joint or changed a wheel." After Eton and Cambridge, where his friends included Oliver Letwin and the Condé Nast president Nicholas Coleridge, Moore joined the Daily Telegraph aged 22 as political correspondent in the very year Thatcher came to power. Within two years he was writing leaders and in 1984, still in his 20s, he became editor of the Spectator. Moore returned to newspapers in 1990, editing the Sunday Telegraph from 1992 to 1995 and the Daily Telegraph for eight years until 2003, where he was highly regarded and well liked. Can he be objective? Even Ken Clarke sounded mildly dubious when both men were on BBC1's Question Time last week. The politician was commenting on how so many of the things being said on the Thatcher years were interpretive, at which point Moore interjected to say we would soon get "history" in the form of his book. "The editor of the Daily Telegraph says his biography is going to be history," said Clarke. "We shall see." Proffitt hinted that some people might be surprised: "He clearly admires her, but doesn't restrain himself from criticising her when he thinks it's the right thing to do, and the book is remarkably balanced in that respect." Whatever the reaction the book seems certain to sell well. Priced at £30 – but also available for less, for example £19.20 on Amazon – the book has the second highest biography order from Waterstones this year (after Julian Barnes). Howells said the Thatcher effect had been felt on the day of her death when sales of her memoirs immediately went up 300% and by the weekend it was in the region of 800%. "There is a big market. Political biographies can be tough and we all know horror stories about political biographies that have underachieved but with someone like Thatcher there has got to be massive interest." Although the publishers use the American version, authorized not authorised – house style they say – the book will not be published in the US until May. Volume two, called Herself Alone, is still being completed. http://www.guardian.co.uk/politics/2013/apr/19/lady-thatcher-authorised-biography-excitement
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